Grad Research (?): Photoshopping American Studies

Last week, three members of our American Studies community, professor Randy Lewis, and graduate students Sean Cashbaugh and Carrie Andersen, were written up in The Daily Texan for their work on The End of Austin, an online journal that features stories on and about our urban home. Not only did The Daily Texan note TEOA’s attention to the changing culture and demographics of the city, they also published the following humorless picture, which we’ve all been laughing about since (the pictured trio included!):

Why so serious, everyone?

Because Randy, Sean, and Carrie appear so absurdly serious and melancholy in that picture, we couldn’t help but break out our copies of Photoshop to have a little fun. We started with the traditional picture + text meme, quickly coalescing around a hipster academic theme, before quickly heading off into a few different directions entirely. As a little bit of fun on a Friday, we’ve curated our favorites for you. All of these were made by members of the American Studies community.

Grad Research: Absurdity and Authenticity in Comedy at SXSW

Today, we’re sharing a piece by one of our contributing writers, Carrie Andersen, who recently wrote about her experiences watching and reviewing comedy shows at South by Southwest. The full piece can be found at Humor in America, a blog dedicated to comedy and humor in America that was founded by UT American Studies alum Tracy Wuster.

This year, South by Southwest’s comic offerings highlighted a variety of styles which were bookended with pure absurdism and unadulterated rawness. The full range of humor left audiences on their toes, but it’s the latter form that I am continually drawn to and that speaks to some broader compulsion to excavate authenticity wherever we can find it.

I think we’ve seen a rise in raw, authentic, deeply personal – and sometimes cringe-inducing – comedy in the past ten years. We’ve been blessed with shows like Curb Your Enthusiasm andLouie; comics like Marc Maron, Louis C.K., Mike Birbiglia, Doug Stanhope; movies like Borat.

These examples point to the integration of the personal in the comic narrative. Louie, for example, is funny in part because the title character is an extension of the real Louis C.K. As C.K.told Terry Gross, “The guy I am in the show is definitely me without anything I’ve learned. It’s just me making horrible mistakes that I don’t make in real life, but that are inside of me. They’re the things I would do if I didn’t think for a second.” Louie is the id to C.K.’s superego.

Check out the full piece here.